![]() Benefit from robust Nyquist conversion: each EQ type matches the source equipment exactly and will not compress near the Nyquist frequency. Get vintage and modern at the same time! We modeled 9 vintage hardware EQ blocks, totaling 32 EQ types implemented in Kirchhoff-EQ. Would you like to try the 8.125 dB/oct high pass filter?ģ2 filter types modeled after historical vintage EQs! The slope of most types of filters can be continuously adjusted from 0 dB/octave, 6 dB/octave, or 12 dB/octave to 96 dB/octave. Sword: has a sharper slope than a bell, specifically designed to “dig out” resonances.īottom brick wall pass, upper brick wall pass, low allpass and high allpass. Low shelf, high shelf, sloping shelf: infinitely adjustable from 6 dB/octave to 96 dB/octave Low-pass, high-pass, bandpass: infinitely adjustable from 0 dB/octave to 96 dB/octave Ĭall, notch: stepless adjustment from 12 dB / octave to 96 dB / octave Linear phase always uses 64 bits because it is a FIR (finite impulse response) filter and does not support 117 bits.You can switch between 64-bit and 117-bit at any time. Since there are already 64-bit versions, why not go further? Kirchhoff-EQ uses a technique called “Double-Double” to achieve 117-bit internal processing accuracy! This is the first equalizer in the world to achieve such accuracy. Switchable ultra-high 117-bit processing.The filter structures move into a “best fit” state with corresponding band frequency changes, resulting in optimized sound quality at both low and high frequencies. However, in real applications, rounding errors cause each filter structure to sound different: some are better at low frequencies, some are better at high frequencies.Ī technology called “Psychoacoustic Adaptive Filter Topologies” has been deployed at Kirchhoff-EQ. Topologies of psychoacoustic adaptive filtersĪll line filter structures should have the same sound on paper. Kirchhoff-EQ’s internal processing is always done in 64-bit (or 117-bit) format, regardless of the host’s current DAW precision. The 64-bit version is mandatory and non-negotiable. ![]() This method applies to all filter types in Kirchhoff-EQ. Matched Conversion With the originally developed “Robust Nyquist Matched Conversion”, Kirchhoff-EQ has made the frequency response in the digital domain closer to its analog counterparts without the high frequency limitations of conventional IIR (infinite impulse response) equalizers. Equalizers will never be the same again.īlock the host if necessary, “it will call home every start/several minutes”: All of this pushes the Kirchhoff-EQ to the next generation standard. The built-in dynamics processing functions are very flexible and have ultra-low distortion. It features improved sound quality consistent with analog curves, 15 smoothly shaped filter types, and 32 classic EQ types modeled from real devices. Destruction to overdrive your sound.Kirchhoff-EQ is the ultimate 32-band parametric equalizer designed for all critical professional applications. Limiter to limit and Maximize dry or wet signals. User can choose frequency modes (Free Hz mode or Note selection). Max Frequency set the maximum input frequecny a sub-octave will be generated for. Use it with drums to expand the foundation of the basic source. Use it with synths to give subtle sounds more thickness and weight. Or use it with any samples to give an added punch and sub-modulation capabilities. Use this fx with guitars for warm sub backgrounds. Simply add it to any sound to generate a sub-octave signal with gain, compression, limiting and widening. Fundamentally, the SubColours Octave Diver is an effect like the original octave divider classic pedal, becuase you can easily manipulate the sub-tone, but we added more to our device to make it much more useful. It also has a built-in LFO and an audio widening function. The tone is warm, fat, and a bit synth-like, as opposed to the crisper, more acoustically-accurate transpositions of modern pitch- shift pedals. SubColours Octave Diver emulates the Mu-Tron™ Octave Divider pedal. Device includes classical ringer, powerful screamer, fuzz / distortion destruction effects as well as a limiter, widener and stabilize compressor. Adds sub-octave to inputed signals resulting in warm, fat and synthesized tones. ![]() Inspired by a 50 year old legendary octave diver effect.
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